Nadia Labrie Nadia Labrie
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Press review

The Whole Note

"The quiet simplicity and dignity of Gaudet's solo opening of the first movement is carried forward by Labrie's velvet sound, exquisite phrasing and moments of rubato, wich convey a brooding feeling of inevitably encroaching doom. She plays the hymn-like second movement with a simplicity and directness which is both heartrending and deeply satisfying."

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Press review

The Whole Note

"The quiet simplicity and dignity of Gaudet's solo opening of the first movement is carried forward by Labrie's velvet sound, exquisite phrasing and moments of rubato, wich convey a brooding feeling of inevitably encroaching doom. She plays the hymn-like second movement with a simplicity and directness which is both heartrending and deeply satisfying."

Full article

Leave a comment

Your e-mail address will not be published. Required fields are marked *.

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>