« The quiet simplicity and dignity of Gaudet’s solo opening of the first movement is carried forward by Labrie’s velvet sound, exquisite phrasing and moments of rubato, wich convey a brooding feeling of inevitably encroaching doom. She plays the hymn-like second movement with a simplicity and directness which is both heartrending and deeply satisfying. »
« The quiet simplicity and dignity of Gaudet’s solo opening of the first movement is carried forward by Labrie’s velvet sound, exquisite phrasing and moments of rubato, wich convey a brooding feeling of inevitably encroaching doom. She plays the hymn-like second movement with a simplicity and directness which is both heartrending and deeply satisfying. »
